JEFF DEPNER & RICHARD STORMS: UNFOLD, REBUILD
Opening reception: Saturday, May 28, 2-4pm.
Exhibition dates: May 28-June 25, 2016.
The paintings in this exhibition by Richard Storms and Jeff Depner reflect the built environment, expose the structure of a well articulated painting and wallow in the tactile nature of something hand-made. The thick, kneaded surface of Depner’s smaller paintings stands in contrast and compliment to the staccato rhythms of Storms’ crisp canvases. Both artists are concerned with breaking something down and building it up, with an aesthetic wholeness reached at some point between abstraction and function; Depner’s paintings tease at a useable geometry while Storms’ hint to a place and a familiar point of view.
Richard Storms lives and works in Toronto, Ontario. He holds a Master’s Degree in Fine Art from York University and has work in numerous private and public collections across the country, including The Art Gallery of Hamilton, The Musée d’Arte Contemporain in Montreal, the University of Toronto and the Royal Bank of Canada.
Jeff Depner lives and works in Vancouver, British Columbia. Depner is also represented in New York City and Cologne, Germany, and has exhibited internationally at Scope Basel and New York, among other venues.
Richard Storms, “Financial District”, 2016, mixed media on canvas, 60″ x 84″.
Jeff Depner, “Echo”, 2016, mixed media on canvas, 22″ x 14.5″.
Opening reception: Saturday, April 30, 2-4pm.
Exhibition dates: April 30 – May 21, 2016.
Orphismic is a nw series of works combining multi-layered, sprayed acrylic with thick layers of impasto oil paint. The titled of the show refers to a style coined by Guillaume Apollinaire to describe works which immerse the viewer in pure aesthetic pleasure while retaining a sense of structure and sublime meaning; however, this is where the relationship ends.
While Orphism defined images created entirely from the artist’s consciousness, the forms in Vergette’s paintings are culled from vintage T-shirt graphics. The graphics have been partially recreated, but the original meaning has been lost and the viewer is left with the minimal form as a waymarker.
Life’s Too Short Not To Be In Love, 2016
Oil and acrylic on canvas over panel
72″ x 48″
Gallery Jones is pleased to present the first Canadian exhibition of work by Erin O’Keefe, who is based in New York City and New Brunswick, Canada. She received a Bachelor of Fine Arts from Cornell University and a Master’s of Architecture from Columbia University.
I am a photographer and an architect, and my work is informed by both of these disciplines. My background in architecture is the underpinning for my art practice, providing my first sustained exposure to the issues and questions that I contend with in my photographs. The questions that I ask through my work are about the nature of spatial perception, and the tools that I use are rooted in the abstract, formal language of making that I developed as an architect. As a photographer, I am interested in the layer of distortion and misapprehension introduced by the camera as it translates three dimensional form and space into two dimensional image. This inevitable and often fruitful misalignment is the central issue in my work.
O’Keefe’s constructions, built from mundane objects such as painted plywood and tinted Plexiglas, are made to be photographed. While there is implicitly a deconstruction of photography going on in these works that play at being paintings or even architectural definitions of space, what seems of paramount importance to the artist is the image; its qualities, textures and compositions.