John Patkau’s Winnipeg Skating Shelters are currently on display in the courtyard at the Victoria & Albert Museum, London (July 15- November 12, 2017). The free exhibition, Plywood: Material of the Modern World, investigates the history of plywood techniques and applications.
The Winnipeg Skating Shelters existed for one season on the iced-over Assiniboine river, Winnipeg, and have been reproduced with great care for the new V&A exhibition.
Gallery Jones is pleased to be participating in the third edition of the Seattle Art Fair, opening the evening of Thursday, August 3 and continuing through Sunday, August 6. We will be featuring work by Canadian and international artists, including Peter Aspell, Cole Morgan, Paul Morstad and James Nizam. To view the works below and more visit us at stall A-3.
For more information about the fair, click here to visit the Seattle Art Fair website.
Exhibition dates: July 15 – August 19, 2017
Click here to download the press release.
Erin O’Keefe’s exhibition Book of Days at Denny Gallery in New York City was recently reviewed by Artforum.
Click here to read the review by Jeff Gibson.
Book of Days exhibited new photographs by Erin O’Keefe from April 6 – May 14, 2017. This was the artist’s second solo exhibition with the gallery.
Pierre Coupey is one of several artists on display at the Kelowna Art Gallery as part of The Big Picture, a group exhibition curated by Liz Wylie that runs from April 29 to June 25, 2017.
The Big Picture brings together a selection of large-scale artworks from the gallery’s permanent collection, some of which have never been exhibited. As curator, Wylie expresses interest in the way artists “rise to the occasion” when they decide to work on a large scale. The show has a distinctly local feel: nearly half its artists are from the Okanagan, and the rest are from around the country.
The exhibition includes works by David Alexander, Rose Braun, Pierre Coupey, Cathy Daley, Jane Everett, Wendy Hamlin, Wanda Koop, Vicky Marshall, Martin Pierce, Gary Pearson, Bryan Ryley, and Alan Wood.
Click here for more information.
Brendan Lee Satish Tang has been mentioned in recent press as a finalist for the Spanish fashion house Leowe’s inaugural Craft Prize, an award recognizing expert craftmanship from around the world. Tang’s work, along with the other finalists, is currently on display at New York Chamber gallery.
Click here for the article in Architectural Digest
Click here for the article in Co. Design
Click here for the article in Vogue Magazine
Click here for the article in Wallpaper online magazine.
Click here to read a recent Q&A with artist Erin O’Keefe on the influence of her background in architecture, her desire to investigate things “as they are,” and her interest in the visual illusions created with light and shadow in her work, written by Taylor Dafoe.
Several of Danny Singer’s works are currently on display at the National Gallery of Victoria, Melbourne, as part of the NGV Festival of Photography. The exhibition includes some of the most challenging and exciting contemporary photography from Australia and around the world, including Elad Lassry, Sophie Calle, Paola Pivi, Pieter Hugo, Danny Singer, Ceal Floyer, Lucia Koch, David Rosetzky, Polly Borland, Adam Fuss and Thomas Demand.
The National Gallery of Victoria (NGV) is the oldest and most visited gallery in Australia, hosting a wide range of activities, from contemporary art to major international historic exhibitions, fashion and design, architecture, sound and dance.
Work by Brendan Tang is featured in an upcoming exhibition Ready Player Two (May 25-September 3, 2017) at The Reach Gallery Museum in Abbotford, BC. The exhibition presents collaborative and independent works by Brendan Tang alongside interdisciplinary artist Sonny Assu, combining elements from science fiction, comic book, and gaming cultures to consider how the forms alternately reinforce and transcend racial boundaries in youth culture.
The Reach Gallery Museum describes the artistic interplay between the two artists in Ready Player Two as they address the activities of adolescence:
“In their individual practices, Tang and Assu frequently negotiate the material and conceptual dynamics of culture and ethnicity. Informed by their mixed-race backgrounds and experiences of Canadian life in the 1980s and 1990s, for this exhibition the artists bring together found objects, selections from previous bodies of work, and new collaborative pieces to create immersive spaces that evoke the adolescent sanctuaries of their time: the basement, the arcade, and the comic book store.”